Dissertation/ Thesis
Εκφάνσεις του φεμινισμού στα έργα γυναικών που σκηνοθέτησαν Ελληνίδες (1992-2018) ; Expressions of feminism in the works of women directed by Greek women (1992-2018)
| Τίτλος: | Εκφάνσεις του φεμινισμού στα έργα γυναικών που σκηνοθέτησαν Ελληνίδες (1992-2018) ; Expressions of feminism in the works of women directed by Greek women (1992-2018) |
|---|---|
| Συγγραφείς: | Leoudi, Aikaterini, Λεούδη, Αικατερίνη |
| Στοιχεία εκδότη: | University of Peloponesse Πανεπιστήμιο Πελοποννήσου |
| Έτος έκδοσης: | 2025 |
| Συλλογή: | National Archive of PhD Theses (National Documentation Centre Greece) |
| Θεματικοί όροι: | Σύγχρονο Ελληνικό Θέατρο, Ιστορία της σκηνοθεσίας, Eλληνική δραματουργία και έμφυλη διαφορά, Γυναίκες συγγραφείς, Σύγχρονες ελληνίδες σκηνοθέτριες, Δραματουργία και φεμινιστική κριτική, Σπουδές φύλου, Διακειμενικότητα, Επανεγγραφή γυναικείου, |
| Περιγραφή: | This doctoral thesis aims to enrich and broaden the dialogue about the female presence in contemporary Greek theater by means of primary archival research, historiographical mapping out and focused dramatic analysis of works by women that were staged by contemporary female directors over the past three decades in Greece. Through archival research, the thesis contributes a history of female direction in Greek theater from the late 19th century to the end of the 20th century; a recorded history, enriched with new directorial female figures, that was lacking in the relevant literature up to now. Furthermore, primary research on texts by women writers put on stage by women directors since 1974, a landmark of contemporary Greek history, yields both quantitative and qualitative data that lead to the revision of earlier positions regarding the putative absence of "women's" theater in Greece. The catalogued results of the primary research document plays staged in Greek theater from 1974 to 2018, during which period women play a central creative role in both directing and writing with an increasing trend from 1992 into the early 21st century. The performed plays are examined both diachronically and in terms of content, in the light of briefly outlined trends in feminist criticism and theory, so as to discern the treatment of women and femininity in them. Intertextuality emerged as a cohesive trope of the recorded dramaturgical material by Greek women dramatists re-writing the “feminine” and directed by women (1992-2018). The intertextual content of the plays is further categorised on the basis of their focus on biographies, ancient myths, foreign dramaturgy and literature, and fairy tales. The exploration of "female" experience and the representation of the “feminine” in contemporary Greek theatre writing under the lens of feminist theories is meant in strategic rather than essentialist terms of conceptualising gender and sexual difference. The present dramatic analysis has shown that contemporary Greek women's ... |
| Τύπος εγγράφου: | doctoral or postdoctoral thesis |
| Γλώσσα: | Greek, Modern (1453-) |
| Relation: | https://hdl.handle.net/10442/hedi/58482 |
| DOI: | 10.12681/eadd/58482 |
| Διαθεσιμότητα: | https://hdl.handle.net/10442/hedi/58482 https://doi.org/10.12681/eadd/58482 |
| Αριθμός Καταχώρησης: | edsbas.545C5E21 |
| Βάση Δεδομένων: | BASE |
| DOI: | 10.12681/eadd/58482 |
|---|