Academic Journal

The Sculpture of Goddess Durga from the Gold Mines of the South Urals: Issues of Attribution and Provenance

Bibliographic Details
Title: The Sculpture of Goddess Durga from the Gold Mines of the South Urals: Issues of Attribution and Provenance
Authors: Viсtoria V. Demenova
Source: Известия Уральского федерального университета. Серия 2: Гуманитарные науки, Vol 21, Iss 1(184), Pp 261-269 (2019)
Izvestia. Ural Federal University Journal. Series 2. Humanities and Arts; Том 21, № 1(184); 261-269
Известия Уральского федерального университета. Серия 2. Гуманитарные науки; Том 21, № 1(184); 261-269
Publisher Information: Ural Federal University, 2019.
Publication Year: 2019
Subject Terms: EXPERTISE, атрибуция, индуистская скульптура, Дурга, экспертиза, кросс-культурные связи, Восток и Запад, attribution, Hindu sculpture, Durga, expertise, cross-cultural connections, East and West, АТРИБУЦИЯ, ЭКСПЕРТИЗА, КРОСС-КУЛЬТУРНЫЕ СВЯЗИ, Language and Literature, DURGA, ATTRIBUTION, CROSS-CULTURAL CONNECTIONS, EAST AND WEST, ДУРГА, ИНДУИСТСКАЯ СКУЛЬПТУРА, History (General) and history of Europe, ВОСТОК И ЗАПАД, HINDU SCULPTURE
Description: This article considers issues of attribution and provenance of a sculpture of the Hindu goddess Durga found in one of the Ural gold-bearing mines in around 1850 near the city Troitsk, Orenburg Province. This fact was recorded in Zapiski Ural’skogo Obshchestva Lyubitelei Estestvoznaniya, the most famous 19th century Ural scientific journal. In the journal, the artifact was identified as “a Buddhist idol” and described in detail by O. E. Kler, chairman of the Ural Society of Natural Sciences Amateurs. Additionally, the journal published a photograph of the sculpture and preliminary analysis of the composition of metal of the sculpture was carried out. In 1876, the sculpture was exhibited in St Petersburg during a congress of orientalists. Presently, the whereabouts of the sculpture are unknown. Except for providing a more detailed iconography, the article contains arguments about the time and place of its creation (the Himalaya region of India, 11th–14th centuries) and the main versions regarding how the sculpture came to the Urals. The author provides arguments supporting the idea that the sculpture arrived in Russia fairly early in history through the trade routes of the Caspian Sea and along the Volga, Kama, and Ural Rivers used for the transportation of oriental goods. In this way, the author considers issues of cross-cultural connections and exchange of artistic ideas between countries having no common borders in the vast territory of Eurasia in the times of antiquity and the Middle Ages, providing a number of examples of the “remarkable discovery” of oriental artefacts very far in the north of Eurasia. For the time being, a detailed study of the Durga sculpture found not far from the town of Troitsk, Orenburg Province in the 19th century is impossible, but it is important that this material be actualised as it may help find it in Russian or foreign collections in the future.
Document Type: Article
Other literature type
File Description: application/pdf
ISSN: 2587-6929
2227-2283
DOI: 10.15826/izv2.2019.21.1.019
Access URL: https://journals.urfu.ru/index.php/Izvestia2/article/view/3819/3063
https://doaj.org/article/45a81bef320946218243a54d9f1020fe
http://elar.urfu.ru/handle/10995/69946
https://elar.urfu.ru/bitstream/10995/69946/1/iurg-2019-184-19.pdf
https://journals.urfu.ru/index.php/Izvestia2/article/view/3819
http://elar.urfu.ru/handle/10995/69946
https://journals.urfu.ru/index.php/Izvestia2/article/view/3819
Rights: CC BY NC
Accession Number: edsair.doi.dedup.....212ca3f6a32c0738d9ace5b31279a95d
Database: OpenAIRE
Description
ISSN:25876929
22272283
DOI:10.15826/izv2.2019.21.1.019