Bibliographic Details
| Title: |
ОБРАЗНЫЕ ОЛИЦЕТВОРЕНИЯ ЗИМЫ И ВЕСНЫ В ЕВРОПЕЙСКОЙ И РУССКОЙ ПОЭЗИИ... (ОТ АЛКУИНА ДО Ф. И. ТЮТЧЕВА): PERSONIFIED IMAGES OF WINTER AND SPRING IN EUROPEAN AND RUSSIAN POETRY (FROM ALCUIN TO FYODOR TYUTCHEV) |
| Source: |
Русистика и компаративистика. :42-63 |
| Publisher Information: |
Moscow City Pedagogical University, 2019. |
| Publication Year: |
2019 |
| Subject Terms: |
Зима, спор времен года, the contest of seasons, образ, Winter, олицетворение, tradition, image, Весна, 3. Good health, традиция, personifi cation, Spring |
| Description: |
В статье рассмотрены наиболее характерные литературные трансформации обрядового мотива состязания Весны и Зимы на материале произведений европейской и русской поэзии и драматургии, включая Словопрение Весны с Зимой Алкуина, песни Совы и Кукушки из комедии У. Шекспира Бесплодные усилия любви, гимн Вальсингама и стихотворение Ф. И. Тютчева Зима недаром злится. Основное внимание уделяется сдвигам в структуре мотива, определяемым поэтикой художественного целого, а также особенностями бытования традиционного фольклорного спора в различных жанровых контекстах. Personi cations of Winter and Spring as contesting seasons being deeply rooted in many peoples consciousness have long literary history during which they have passed many changes under the in uence of cultural, aesthetic, and national language context.In the poetics of Alcuins Con ictus Veris et Hiemis (The Contest of Spring and Winter) the ideology and artistic principles of the Carolingian Renaissance were manifested in combination of folklore Spring call with the dialogical traditions of ancient bucolics and school rhetorical contests. The Winter here is given voice, but the victory of Spring is absolute and eternal, symbolizing the coming of the new Golden Age under the authority of Carolingian Christian empire. In Shakespeares songs of the Cuckoo and the Owl (in Loves Labours Lost) the dialogical principle is weakened, while the whole context is expanded. Instead of celebrating the moment of Springs arrival and Winters defeat the poetic diptych gives two separate pictures of reality as the moments in the year cycle. The winter frost associated with the death of Nature is also the natural teacher who prompts the man to surpass the boundaries of fallen nature. In Russian poetry of the 1830s the lyric principle in depicting personi cations of seasons strengthens against the background of romantic paradigm. In Alexander Pushkins hymn in honour of the Plague (in A Feast in the Time of Plague) Winter being deprived of its traditional opponent plays the part of the weakened substitute for the Plague, which does not eliminate the contrast between them. The new degree of lyricizing is manifested in Fyodor Tyutchevs lyric The Winter not without reason grows wroth (Zima nedarom zlitsya), in which the poet reverts to the picture of the con ict of seasons depicting it through lyrical description. The universal archetypes are refracted through national linguistic world picture making Tyutchevs lyric the model for their perception in Russian cultural domain. |
| Document Type: |
Article |
| Language: |
Russian |
| ISSN: |
2619-0656 |
| DOI: |
10.25688/2619-0656.2019.13.03 |
| Accession Number: |
edsair.doi...........e9d6799a6a3eac7e517fd76763d65b68 |
| Database: |
OpenAIRE |