Report
Абстракционизм в творчестве художников сибирской неоархаики: жанровые характеристики образности
| Τίτλος: | Абстракционизм в творчестве художников сибирской неоархаики: жанровые характеристики образности |
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| Στοιχεία εκδότη: | Культурная жизнь Юга России, 2023. |
| Έτος έκδοσης: | 2023 |
| Θεματικοί όροι: | тема, theme, художественный образ, Siberian art, жанр, Siberian neo-archaic, painting, региональное искусство, живопись, genre, regional art, сибирская неоархаика, abstract art, абстрактное искусство, сибирское искусство, artistic image |
| Περιγραφή: | The article discusses the works of artists of the Siberian neo-archaic direction from the point of view of genre-figurative characteristics. The Siberian neo-archaic direction appeared in the cities of Siberia in the late 1990s. Between 2000 and 2013, exhibitions and cultural open-airs were held annually, they were dedicated to the issues of comprehension of the artistic culture of Neolith and the Bronze Age in Siberia. The author uses N. Yakovleva’s theory of genre chronological typology, as is also P. Karmel’s postulates about thematic groups in the history of the global abstraction. In the practice of combining N. Yakovleva’s theory and P. Karmel’s methodology of the study of the world of non-figurativism, the author reveals the Siberian neoarchaic direction artists’ attraction to the objectness of the image. The use of achievements of world abstractionism is becoming a common feature of the Siberian artists’ works resulting from the possibility of postmodern citation of the achievements of the visual culture of the past. In the course of presenting the history of the development of the “Siberian neo-archaic” direction, the origins of the appeal to the ancient history of Siberia were identified. The author reveals postmodern features in the works of artists of the Siberian neo archaic direction and identifies the connection with the trends of late Soviet art. The postmodern nature of the works manifested itself in the rejection of the historical perception of the material of primitive culture and the focus on the ontological, ethical and spatial awareness of the life of primitive man. Using N. Yakovleva’s theory of genre chronological typology, the author of the article singled out genre associations, which included works united by a close perception of the image of space and a human body. The revealed features of the awareness of genre associations correlate with the worldview of Siberian artists at the turn of the XX - XXI century and indicate the desire of the artistic culture of Siberia to establish itself in its regional specifics. В статье рассматривается творчество художников направления «сибирская неоархаика» с точки зрения жанрово-образных характеристик. Автор использует теорию жанровой хронотипологии Н.А. Яковлевой, а также постулаты П. Кармел о тематических группах в истории мировой абстракции. В ходе изложения истории развития направления «сибирская неоархаика» был выявлен постмодернистский характер этого направления. В результате анализа работ художников обозначены жанровые семейства, к которым тяготеют произведения «сибирской неоархаики». |
| Τύπος εγγράφου: | Research |
| DOI: | 10.24412/2070-075x-2023-1-7-14 |
| Rights: | CC BY |
| Αριθμός Καταχώρησης: | edsair.doi...........d6d655fb15006ee5e7b07bf6e7cbd037 |
| Βάση Δεδομένων: | OpenAIRE |
| DOI: | 10.24412/2070-075x-2023-1-7-14 |
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