Report
Линия, цвет, слово: символы эпохи в работах молодых исследователей культуры
| Τίτλος: | Линия, цвет, слово: символы эпохи в работах молодых исследователей культуры |
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| Στοιχεία εκδότη: | Электронное научное издание Альманах Пространство и Время, 2019. |
| Έτος έκδοσης: | 2019 |
| Θεματικοί όροι: | синтез научных и художественных идей, восприятие формы и цвета, идеи и символы культуры, русский авангард, изменения лексического состава языка, параллельные прямые, цветовые обозначения состояний в языке, synthesis of scientific and artistic ideas, perception of artistic shape and color, cultural ideas and symbols, Russian avant-garde, lexical composition supplement of language, parallel straight lines, color notation in language |
| Περιγραφή: | The main idea of the “Space and Time” Publishing Project is an idea of interdisciplinary synthesis as a synthesis of scientific and artistic ideas and their implementation in the artistic and linguistic spheres, i.e. the idea of world synthetic perception in the large that is a fundamental of culture. For this reason, our brief review is also a brief essay on interdisciplinary synthesis in both the papers published in the section “Achievements in Cultural Sciences” of this issue and historical periods considered in these papers. Using historical-cultural, comparative, problem and conceptual analysis, we show that two papers presented in this section are equally vivid illustrations and right and wrong ideas of the well-known idiom “the idea is in the air”: we suppose each cultural and historical epoch lives, is filled and sometimes overflows with its own ideas that are not in the air by themselves, but they as the result of human logical and artistic-symbolic understanding of the world and an intensive intellectual exchange between representatives of various sciences and arts. The first paper presented in the section is dedicated to the problem of such intellectual exchange between artistic creativity and exact sciences in early 20th century (Euclidean and non-Euclidean geometry as a symbol of revolutionary changes in Russian arts and society); this paper faced to the future. As to second paper, it is dedicated to the implementation of modern linguistic forms in Russian language as a result of interdisciplinary synthesis (intellectual interaction between linguistics and chemistry), but at the same time it is faced to history (Byzantine roots of symbolic meaning of color in Russian and Greek). However, from our point of view, both papers contain Russian avant-garde allusions. We conclude that both papers are independent scientific researches, studies that one could read easily and with great interest. Accordingly, the two this paper deserve interested and interdisciplinary-oriented readers. Статья представляет собой кратки обзор работ, опубликованных в рубрике «Успехи в науках о культуре». Данные работы рассматриваются с точки зрения как междисциплинарного синтеза, так и роли творческой личности в формировании наиболее общих идей и символов культурно-исторических эпох. |
| Τύπος εγγράφου: | Research |
| DOI: | 10.24411/2227-9490-2019-11003 |
| Αριθμός Καταχώρησης: | edsair.doi...........89499e7a19c3a443f02c2003e4d14a50 |
| Βάση Δεδομένων: | OpenAIRE |
| DOI: | 10.24411/2227-9490-2019-11003 |
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