The tomb of the unknown soldier, modern mourning, and the reinvention of the mystical body
Αποθηκεύτηκε σε:
| Κύριος συγγραφέας: | |
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| Μορφή: | Βιβλίο |
| Γλώσσα: | English |
| Δημοσίευση: |
Toronto ; Buffalo :
University of Toronto Press,
c2011.
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| Σειρά: | Toronto Italian studies
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| Θέματα: | |
| Ετικέτες: |
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Πίνακας περιεχομένων:
- PART ONE: Anonymity and Sacrifice
- Introduction: The Return of the Dead ; A Unanimous Idea ; Unanimity and confused bones ; The origins of the Unknown Soldier ; The primal scene
- Identification and Chorality ; Bones manifest themselves ; Recognition, or reaching across the divide of living and dead ; Sculpted water ; A silent inscription
- Sacrifice and the non finito ; Taking up anonymity ; Absolution ; Initiation
- PART TWO: Embodiment and Spectacle
- Introduction: The Undead Body, The Photographic Image, and the Religious Icon ; Embodiment and Imbestiamento ; Trauma and animality ; The symbolic journey ; The darkness within
- Mutilation and Spectacle ; Phantom pain, mutilation, and repetition ; Touching the absent body: the "Banner of Randaccio" ; Transmitting the experience of death: Promethean fire
- Mourning Transcendence and Reenchanting the Flesh ; Confronting Mortality ; Mourning Transcendence ; Modernity and the Mystical Body.