Report
Место регионального абстракционизма в истории мирового нон-фигуративизма
| Τίτλος: | Место регионального абстракционизма в истории мирового нон-фигуративизма |
|---|---|
| Στοιχεία εκδότη: | Культурная жизнь Юга России, 2023. |
| Έτος έκδοσης: | 2023 |
| Θεματικοί όροι: | региональное искусство, post-Soviet painting, постсоветская живопись, regional art, искусство Сибири, abstract painting, абстрактная живопись, Kuzbass art |
| Περιγραφή: | The article deals with the development of regional abstractionism from the position of the characteristics of abstraction methods and the historical process of development of nonfigurativism in the art of the twentieth century. The author of the article presented the stages of the creative path of three Siberian artists N.D. Gritsyuk, T.N. Gritsyuk, A.V. Nasonov, placing them in the historical context of the development of abstract painting in Siberia. The author identifies the shortcomings of the existing synchronization of the creativity of regional abstract artists in comparison with the development of world abstractionism. The author suggests judging the art of regional artists from the position of coordinating the method of cognition of reality and the final abstract image in works of art. The article considers such methods of cognition of reality as phenomenology and structuralism. The author also turns to the practice of formalism, which manifested itself in the work of local abstract artists. Focusing on the works of Siberian artists of the second half of the twentieth - the first third of the 21th century, the author notes that the painters combine various artistic techniques that in different periods of art history reflected formalistic, structuralist and phenomenological approaches. Based on the analysis of the creative method of Siberian artists N.D. Gritsyuk, T.N. Gritsyuk, A.V. Nasonov, the author comes to the conclusion that regional abstractionists of the second half of the 20th - early 21th centuries use various techniques and elements of the language of non-objective, based on their personal preferences. Thus, the author proposes estimating the work of regional abstract artists from the perspective of studying the techniques and elements of the language of abstraction, which the author himself chooses from the arsenal of the history of world non-figurativism. For an objective research result of regional abstractionism, it is necessary to reveal the relationship between abstract compositions and the author’s worldview, reflected in the method of cognition of reality. В статье рассматриваются вопросы развития регионального абстракционизма с позиции характеристики методов абстрагирования и исторического процесса развития нон-фигуративизма в искусстве ХХ века. Автор статьи представил этапы творческого пути трех сибирских художников: Н.Д. Грицюка, Т.Н. Грицюк, А.В. Насонова, поместив их в исторический контекст развития абстрактной живописи в Сибири. В результате исследования были сделаны выводы об использовании этими художниками приемов формализма, структурализма и феноменологического подхода. |
| Τύπος εγγράφου: | Research |
| DOI: | 10.24412/2070-075x-2023-2-57-65 |
| Rights: | CC BY |
| Αριθμός Καταχώρησης: | edsair.doi...........c94a00d066b0ed0b74113719db627229 |
| Βάση Δεδομένων: | OpenAIRE |
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