Особенности садово-паркового искусства России в Петровскую эпоху

Bibliographic Details
Title: Особенности садово-паркового искусства России в Петровскую эпоху
Publisher Information: Культурная жизнь Юга России, 2023.
Publication Year: 2023
Subject Terms: петровское садово-парковое искусство, the park as an image of a reasonable and free Russia, the park and the symbolic Russian-European space, культурная модернизация, 11. Sustainability, Peter's paradigm of landscape gardening art, европейская философия рационализма, русский парк как «рай на Земле»
Description: The article is devoted to the study of the process of origin and development of the "Russian-European" tradition of landscape art in Russia in the era of Peter the Great. worldview borrowings. The apogee of the development of garden and park art in Russia turned out to be the 18th century, thanks to the reform activities of Peter I. The scientific relevance of the problematics under study lies in understanding the phenomenon of the Petrine garden and park tradition in the philosophical and cultural aspect, as a manifestation of the power of the Russian spirit in overcoming the archaic and moving into the historical Future. The novelty of the results obtained in the scientific study is determined by the fact that through the analysis of the logic of the Peter the Great paradigm of European-rationalist garden and park art, the image of a universal, reasonable and free Russia, the image of "paradise on Earth" is revealed and concretized in it. Sculptures of ancient gods and heroes were embodied in the images of the Petrovsky garden and park. This meant that the universal forces of all epochs and peoples inspire and patronize Russia in its historical development, serve its well-being and glory. Monuments of prominent figures of Russian culture and Russian history symbolized the well-being and stoutness of the Russian land, its fertile grace, and the monuments were designed to glorify Russian secular culture, broadcast the ideals of civicism and morality, and also educate patriotism through illustrative examples. The integration of sculptures and monuments of the time of Peter the Great, traditional and modern symbols of Russian garden and park art into the symbolic field of the garden as a "paradise on earth", formed a conceptual field, and also expanded the symbolic space of the location, including it at the conceptual level in the paradigm space of world history. The opening of the Petrovsky Garden revealed the logic of an intellectual, rational and free Russia, the idea of a symbolic Russian-European space, made it possible to correlate this symbolic idea with the spirit of Russian history, and also emphasized the importance of Russian military and cultural glory in the history of world progress.
Статья посвящена исследованию процесса зарождения и развития «русско-европейской» традиции садово-паркового искусства России в эпоху Петра I. На основании проведенного анализа сделан вывод о том, что отечественное садово-парковое искусство на протяжении веков своего развития впитало в себя многообразные культурно-мировоззренческие заимствования. Апогеем развития садово-паркового искусства в России оказался XVIII в., благодаря реформаторской деятельности Петра I. Садово-парковое искусство России Петровской эпохи в своем развитии соответствовало духовным вызовам времени и определенным идеологическим и практическим задачам, а также реализовало свой потенциал в большей мере, чем это могла выразить актуальная историческая действительность. В основе российской традиции садово-паркового искусства петровского времени лежали принципы европейской философии рационализма (Декарт, Лейбниц), ставшие со временем мощными духовными символами российской государственности.
Document Type: Research
DOI: 10.24412/2070-075x-2023-1-113-118
Rights: CC BY
Accession Number: edsair.doi...........6c5dbdd5bd3a7510ceac9ef02e92a5c5
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  Data: The article is devoted to the study of the process of origin and development of the "Russian-European" tradition of landscape art in Russia in the era of Peter the Great. worldview borrowings. The apogee of the development of garden and park art in Russia turned out to be the 18th century, thanks to the reform activities of Peter I. The scientific relevance of the problematics under study lies in understanding the phenomenon of the Petrine garden and park tradition in the philosophical and cultural aspect, as a manifestation of the power of the Russian spirit in overcoming the archaic and moving into the historical Future. The novelty of the results obtained in the scientific study is determined by the fact that through the analysis of the logic of the Peter the Great paradigm of European-rationalist garden and park art, the image of a universal, reasonable and free Russia, the image of "paradise on Earth" is revealed and concretized in it. Sculptures of ancient gods and heroes were embodied in the images of the Petrovsky garden and park. This meant that the universal forces of all epochs and peoples inspire and patronize Russia in its historical development, serve its well-being and glory. Monuments of prominent figures of Russian culture and Russian history symbolized the well-being and stoutness of the Russian land, its fertile grace, and the monuments were designed to glorify Russian secular culture, broadcast the ideals of civicism and morality, and also educate patriotism through illustrative examples. The integration of sculptures and monuments of the time of Peter the Great, traditional and modern symbols of Russian garden and park art into the symbolic field of the garden as a "paradise on earth", formed a conceptual field, and also expanded the symbolic space of the location, including it at the conceptual level in the paradigm space of world history. The opening of the Petrovsky Garden revealed the logic of an intellectual, rational and free Russia, the idea of a symbolic Russian-European space, made it possible to correlate this symbolic idea with the spirit of Russian history, and also emphasized the importance of Russian military and cultural glory in the history of world progress.<br />Статья посвящена исследованию процесса зарождения и развития «русско-европейской» традиции садово-паркового искусства России в эпоху Петра I. На основании проведенного анализа сделан вывод о том, что отечественное садово-парковое искусство на протяжении веков своего развития впитало в себя многообразные культурно-мировоззренческие заимствования. Апогеем развития садово-паркового искусства в России оказался XVIII в., благодаря реформаторской деятельности Петра I. Садово-парковое искусство России Петровской эпохи в своем развитии соответствовало духовным вызовам времени и определенным идеологическим и практическим задачам, а также реализовало свой потенциал в большей мере, чем это могла выразить актуальная историческая действительность. В основе российской традиции садово-паркового искусства петровского времени лежали принципы европейской философии рационализма (Декарт, Лейбниц), ставшие со временем мощными духовными символами российской государственности.
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      – SubjectFull: петровское садово-парковое искусство
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      – SubjectFull: the park as an image of a reasonable and free Russia
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      – SubjectFull: the park and the symbolic Russian-European space
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      – SubjectFull: русский парк как «рай на Земле»
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      – TitleFull: Особенности садово-паркового искусства России в Петровскую эпоху
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