Report
Культурфилософская идентичность романтического мифа
| Τίτλος: | Культурфилософская идентичность романтического мифа |
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| Στοιχεία εκδότη: | Культурная жизнь Юга России, 2024. |
| Έτος έκδοσης: | 2024 |
| Θεματικοί όροι: | философия культуры, культурологический анализ, социокультурная детерминация, cultural analysis, cultural philosophy, romantic myth, philosophy of culture, онтология, sociocultural determination, интеллектуальная рефлексия, динамика культуры, cultural dynamics, ontology, романтический миф, культурфилософия, intellectual reflection |
| Περιγραφή: | The article examines the issues of the identity of the romantic myth as an autonomous ideological system that requires the close attention of researchers of cultural history. The phenomena of the romantic myth are characterized according to cultural and philosophical criteria, which makes it possible to determine their differences from the phenomena of other cultural movements of the European type. It is among these trends, associated with them within the framework of sociocultural determination, that this article examines the romantic myth. It is concluded that it not only takes its place among the phenomenal periods of European culture, but still remains relevant, manifesting itself in modern phenomena. Analysis of the romantic myth according to cultural and philosophical criteria, especially in comparison with other cultural movements, allows us to determine the origins of romantic mythology in their original meaning, which becomes extremely important both for research in the field of cultural history and for the analysis of modern cultural trends. The article gives a brief description of cultural philosophy: both the term and the field of cultural philosophy, which appeared precisely in the depths of the romantic movement in the 19th century. It is concluded that the origins of this phenomenon were the German historical school represented by one of its founders, Adam Heinrich Mьller. Next, an analysis is made of the development of cultural philosophy in the philosophical and historical perspective of the 19th – 20th centuries. The names of the researchers and a brief assessment of their concepts are given. Among the researchers are Friedrich Schleiermacher, Otto Liebmann, Ernest Cassirer, Friedrich Nietzsche, Oswald Spengler, Johann Huizinga, Wilhelm Dilthey, Martin Heidegger, Hans-Georg Gadamer and others. В статье рассматриваются вопросы идентичности романтического мифа как автономной мировоззренческой системы. Феномены романтического мифа характеризуются согласно культурфилософским критериям, что дает возможность не только определить их идентичность, но и их отличия от феноменов других течений культуры европейского типа. Такой подход позволяет выявить истоки романтической мифологии в их исконном значении, что может быть академически важно и востребовано как в области исследований по истории культуры, так и для анализа современных культурных тенденций. |
| Τύπος εγγράφου: | Research |
| DOI: | 10.24412/2070-075x-2024-1-30-39 |
| Rights: | CC BY |
| Αριθμός Καταχώρησης: | edsair.doi...........290e20533f95e50c85a33922b591866d |
| Βάση Δεδομένων: | OpenAIRE |
| DOI: | 10.24412/2070-075x-2024-1-30-39 |
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