Academic Journal
Dance knowledge through the body: Gender roles within contact improvisation.
| Τίτλος: | Dance knowledge through the body: Gender roles within contact improvisation. |
|---|---|
| Συγγραφείς: | Vionnet, Claire |
| Πηγή: | Journal of Dance & Somatic Practices; Dec2024, Vol. 16 Issue 11/2, p13-27, 15p |
| Περίληψη: | This article challenges the assumption of contact improvisation (CI) as a gender-neutral dance form, as it has been claimed since the emergence of the dance form in the 1970s and pertained until recent times. Drawing on ethnographic research in Montreal (2019), the investigation combines autoethnography and participant observation to examine the influence of gender roles and power dynamics on the dance floor. To understand the claim of egalitarianism in CI, the study first exposes a discourse analysis of CI's initial gender egalitarian ideology (1970s) and its reaction against dominant dance forms like ballet. The article discusses the role of the body in ethnographic work, suggesting that the researcher's sensorial and affective experiences can challenge scholarly assumptions and fieldwork's discourses. By highlighting how knowledge is embodied, the article emphasizes anthropology's contribution to dance theory through the disclosure of knowledge via somatic experience. [ABSTRACT FROM AUTHOR] |
| Copyright of Journal of Dance & Somatic Practices is the property of Intellect Ltd. and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.) | |
| Βάση Δεδομένων: | Complementary Index |
καταχωρήστε σχόλιο πρώτοι!